Another Way To Breathe

month

March 2012

38 posts

Mar 15, 20121,477 notes
Mar 14, 2012178 notes
Mar 13, 20127 notes
#Thor #Journey Into WhereverYourWantToGo #Thor the Pedicab Driver
“The best revenge is not to become like the one who wronged you.” —Marcus Aurelius (via theremina)
Mar 12, 201245 notes
Sir, You Are Being Hunted

“Hunted is set in a recognisably British landscape. Its inhabitants are a mockery of the aristocratic country gent and his ecosystem. Robots that ape tea-drinking, poachers that lurk in reed-beds, and red-eyed hounds that patrol the moor: these are the things you will be dealing with as you fight for survival. The game gathers up elements of my favourite things: exploration, AI interaction, survival, robots, hot drinks, and blends them into a rich pixelly pulp. (A “British indie S.T.A.L.K.E.R.” might have been something we said in the design meetings…)”

My good friend Jim Rossignol’s company BIG ROBOT has announced Sir, You Are Being Hunted. Even without the connection, I’d be looking forward to this anyway. It’s exactly the sort of thing I wish came from the Indie scene more. With the connection, it seems that Jim’s making public his half of the conversation which I exposed in my reimagining of Mister Sinister and the forthcoming Manchester Gods in JIM. More like this.

Mar 12, 20128 notes
#Sir You Are Being Hunted
Mar 12, 2012103 notes
Mar 11, 2012454 notes
Mar 10, 2012196 notes
“

Indie is four people getting together wanting to create something sublime and immortal having had their lives swallowed by pop and needing to do the same, surveying the infinite possibilities and deciding three guitars some drums and some good songs will just about do. Indie is the scornful look from people your brain could eclipse and burn a million times over. Indie is every single transcendent spirit of humanity withered and died to the desire to succeed.

Indie is musical bigotry, political apathy, casual racism. Indie is a popularity contest that hates shallowness. Indie is revenge. Indie is the class weirdo with their own thrown in the sixth form centre. Indie is the dual luxury of the glamour of alienation coupled with party invitations. Indie is sauce over sex, ignorance over intuition, Gene over Gravediggaz, Powder over Pram and if you think that’s petty you weren’t here tonight, this was petty-lite. Indie is utterly wonderful.

”
—I’m resisting just posting all of Neil Kulkarni’s 1996-vintage Sleeper review, because there’s too many good one-liners in there. The whole thing’s here, beneath the similarly witheringly wonderful Kula Shaker review.
Mar 09, 201211 notes
Mar 08, 201226 notes
#Uncanny X-men #Illyana Rasputin #Magik
Mar 08, 201267 notes
Art Brut comic

mckelvie:

Here’s the story I did for the Art Brut Brilliant! Tragic! comic anthology featuring stories by Bryan O’Malley, Hope Larson, Marc Ellerby and more.  

(If it’s too small on your dashboard go to original post to read.)

Mar 06, 201248 notes
“I thought I’d been doing pretty well at engaging with her outré material, but when I mused that I probably wasn’t the ideal audience for songs like “212” and “L8r,” Banks observed tartly that half of her fans were, like, middle-age white guys. I suppose I could’ve bridled at this stereotyping: in common with most middle-age white guys, I have delusions of being sui generis — but she speedily set me straight, pointing out that for a long time her songs existed only in the iTunes libraries of record company execs, and that, as I was no doubt aware, most of them are indeed middle-age white guys.” —Will Self vs Azealia Banks. Marvellous.
Mar 06, 20121 note
“In Italy, there is a tradition called “sciopero bianco” - the white strike. Here, it is known as work-to-rule. Workers who are not permitted to strike fight their bosses by doing only what is required of them - to the letter. Nurses refuse to answer phones that ring at 17:01. Transport workers make safety checks so rigid that trains run hours behind schedule. Eating disorders, particularly anorexia, are to riots in the streets what a white strike is to a factory occupation: women, precarious workers, young people and others for whom the lassitudes of modern life routinely produce acute distress and for whom the stakes of social non-conformity are high, lash out by doing only what is required of them, to the point of extremity. Work hard; eat less; consume frantically; be thin and perfect and good; conform and comply; push yourself to the point of collapse. It is no accident that eating disorders are often associated with obsessive overwork and perfectionism at school, in the workplace or in the home. We followed all the rules, sufferers seem to be saying - now look what you made us do.” —Laurie on Eating Disorder Awareness Week is on form here.
Mar 04, 201228 notes

“It’s the biggest statement of intent so far, really – me saying yes, in this comic I am Russ Meyer. That’s when you laughed, Bruce! That scary laugh of yours! “Sure, we’re Russ Meyer!” you screamed, like a deranged monkey, “We’ve always been Russ Meyer! We have to be Russ Meyer!” Except Russ Meyer would have had a bit more sex in it by page eleven, so I was obviously holding back. Never mind, violence is the new sex anyway.”

I’m highly enjoying Al Ewing’s gonzoid writers commentary for his JENNIFER BLOOD spin-off, the Ninjettes.

Mar 04, 20121 note
On Buffy

I run a Formspring. Just hammered out a response someone asking me what my take on Buffy The Vampire Slayer was, and wrote this. Strikes me as the sort of thing which is Tumblr-able.

*****

Q: thoughts on joss whedon’s buffy the vampire slayer?

A: The TV show?

Every girl I dated since it came out is a fan.

I watched the first episode when it was shown in the UK, recommended it to a couple of friends, and never watched a broadcast episode again. The two friends who I recommended to it followed it religiously. Neither realised I wasn’t watching it until about 2003, and both were horrified that I’d sell them their first wrap of cocaine and then swore off it myself.

The second episode I watched was Once More With Feeling, which I decided to give a try after following some interesting conversations circa then. I got it. I suspect it may be in the very long list of Phonogram influences.

I watched the episodes on a girlfriends VHS tapes as she watched them. Entirely out of order. I think I’ve seen all of Buffy now, but I can’t be entirely sure. I approached it as a fractal.

While I’m not a fan - it’s not one of my texts - I think it’s capital “I” Important in terms of pop culture. I think it’s got a case to be the most important pop fantasy work of the period. It’s both good and influential.

Whedon’s probably the one famous person I’d ask for an autograph if we ever met, because it would mean the world to my wife. I may even get some for my Exs. He was very important to all of them.

The comic?

I haven’t read any of them. I buy them for my wife though.

Mar 03, 20128 notes
“It used to be startling to see a fox in London — impossible not to feel that the city had slipped into a fable. Now you spot them on any late-night jog. In 2011, one of these agents of animal chaos infiltrated the Shard — at 32 London Bridge, the city’s unfinished tallest building — and climbed a thousand feet above the streets to live on builders’ scraps.” —

Lots to love in China Miéville’s portait of London, but this piece of oddness stood out. That’s my city, right there.

Via someone who I forget, but I only actually got around to reading it due to Theremina.

Mar 03, 20129 notes
“

“Buzzcocks did it first. Or at least were the first band that really mattered to my generation who did the unthinkable: Reform. Man, you should’ve heard the Greek Chorus of post punk condemnation. (three more from them later as John Peel used to say). It was a dark day back in 1989 when the news broke as my two skinny basin headed knock kneed pals and I listened to a cassette of the Buzzers ‘Razor Cuts’ bootleg, whilst bemoaning the inevitable besmirching of the ‘Cocks perfectly imperfect legacy - three albums and that run of singles. Remember, by the mid eighties the defunct Buzzcocks (notice I correctly refrain from writing The Buzzcocks. Annoying huh?) were seen as a major influence on The Smiths, The Mary Chain, the burgeoning C86 mob and erm, The Soup Dragons. In short, Buzzcocks (arghh) were close to canonisation. Then they went and blew it by reforming. My we were cross. Buzzcocks have now been reformed for 21 years. Sixteen years longer than when they were originally together.

( … )

In case anyone is wondering (and they’re not) I don’t give a shit how many adverts for car insurance Iggy Pop does, actually I think he should do more. He should advertise more shit. Nestle baby milk, go on Iggy, sell, sell sell. No one can deny Iggy a decent retirement fund. I also don’t give a shit about The Stooges reforming to perform ‘Funhouse’. God knows if one musician deserved a bit of payola it was the late Ron Ashton. What I do give a shit about is Iggy And The Stooges performing ‘Raw Power’ and making out it’s some kind of unloved under-appreciated black sheep of an album whose time has finally come. Give me a break man. When I was a teenager growing up in Portsmouth, every one of the fourteen cool people in that provincial shithole (for those interested I was approximately the third coolest) had a copy of ‘Raw Power’. And this was fucking Portsmouth in 1982. The record was a frigging set text. British punk would not have happened without ‘Raw Power.’ Every cunt knows this, so can we quit making out that it’s a matter of unfinished business.”

”
—Late to this two-part piece by Luke Haines about Re-forming Bands, but it’s always good to see him have a little scowl at everything that’s ever lived, ever. (Part one/Part two)
Mar 03, 20127 notes
#Luke Haines
“

The following day, I attended a workshop about preventing gender violence, facilitated by Katz. There, he posed a question to all of the men in the room: “Men, what things do you do to protect yourself from being raped or sexually assaulted?”

Not one man, including myself, could quickly answer the question. Finally, one man raised his hand and said, “Nothing.” Then Katz asked the women, “What things do you do to protect yourself from being raped or sexually assaulted?” Nearly all of the women in the room raised their hand. One by one, each woman testified:

“I don’t make eye contact with men when I walk down the street,” said one.
“I don’t put my drink down at parties,” said another.
“I use the buddy system when I go to parties.”
“I cross the street when I see a group of guys walking in my direction.”
“I use my keys as a potential weapon.”

The women went on for several minutes, until their side of the blackboard was completely filled with responses. The men’s side of the blackboard was blank. I was stunned. I had never heard a group of women say these things before. I thought about all of the women in my life — including my mother, sister and girlfriend — and realized that I had a lot to learn about gender.

”
—

Why I Am A Male Feminist (via newwavefeminism)

Men, this is a constant thought. Let this seep in if you’ve never thought about this.

(via beetleginny)

Mar 02, 201241,992 notes
“The problem, often not discovered until late in life, is that when you look for things in life like love, meaning, motivation, it implies they are sitting behind a tree or under a rock. The most successful people in life recognize, that in life they create their own love, they manufacture their own meaning, they generate their own motivation. For me, I am driven by two main philosophies, know more today about the world than I knew yesterday. And lessen the suffering of others. You’d be surprised how far that gets you.” —Neil deGrasse Tyson (via theremina)
Mar 01, 20126,161 notes
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