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Marshall Law’s been floating around the back of my head ever since seeing they’ve just released a new collected edition of the whole work.
I was fantasising about going and building a time-machine to kidnap mid-eighties Kevin O’Neill to come and draw something properly beserk I want to write. He’s still amazing now, but his 80s work was painfully aggressive. He’s an artist that was rejected by the comics code simply for drawing how he drew.
Anyway -this sequence still makes me smile.